Friday, January 31, 2020

The Help Book Report Essay Example for Free

The Help Book Report Essay The Help, by Kathryn Stockett (2009) is a novel set in Jackson, Mississippi during the civil rights movements of the 1960s. It follows the lives of three women –one white, a recent college graduate, and two black maids. The book was a huge success and was turned into a major motion picture. However sadly like many overnight sensation novels The Help has an interesting storyline but is poorly executed. One problem I had with the writing of this novel was the contrasts she drew about the dialogues of the characters. In the book the author tells that one of the characters, Celia Foote, speaks incorrect English because of the poverty she was raised in (another character, Minnie, comments on her accent and way of speaking) however, when Celia speaks in the book her dialogue is impeccable. This is shown in the quote (for the purpose of differentiation, Celia’s speech is shown in italics and Minnie’s in bold) â€Å"They dont like me because of what they think I did†¦ They dont like you ‘cause they think you white trash. Celia has been said to speak in the same way as the black maids, but when she and Minnie are conversing they speak entirely differently. Note the way that because is pronounced- Minnie has obliterated the ‘be’. The contradiction the author has used suggests her incompetency as a writer. Another is the way this book was billed. The Help is said to be a true to events, accurate recount of life in the South in the 60’s, but the reader does no t have to look too deeply into the book to tell that this is untrue. Perhaps if the writer had spent a little more time researching the era she was going to write in her novel would be worthy of this acclaim. it is clear to almost anybody who reads the novel that she is totally unworthy of this praise and it is disgraceful that she does not seem to care that she is misinforming the readers of her book if they take her word for how life was in the South. This book became wildly successful only because it was thrown in the faces of those who would read it without really thinking into it, enjoying the idea of a white saviour to make America’s dark black civil rights history seem like it wasn’t really so bad. The very idea that the book is based on- that black maids would become so trusting of a white woman who also happens to be friends with their employer, to allow their stories about how difficult it is to work for the white upper class, is so far fetched that it borders on insanity. Stockett then proceeds to illustrate her story to seem s though it would be perfectly plausible. Whilst this would be perfectly fine if Stockett had ensured that the book was received as an entirely fictious work, Stockett also manages to belittle or remove the two most powerful influences of the time; racism and male dominance. I believe this to be because the two did not fit in properly with the storyline and how she wanted it to go- inst ead of rising to the challenge and changing her plot a little to incorporate the two, she once again proves her lack of any real eloquence in writing. I would go so far as to say that her imagination was the only reason she made it in the writing industry as it was definitely not her writing prowess. She wanted her antagonist (or heroine I feel she would prefer), a white upper class woman, to be completely blame free, and so blamed any racism, although to her credit there was very little, on the way she was raised, and blamed her mother for it all. (she does the same for Elisabeth’s daughter, saying that she will also grow up to be racist). Then she draws a complete parallel with Hattie, who is an extreme racist and whose mother is one of the least racist characters in the book. Hattie did not learn her racism from her mother, therefore Stockett cannot make the claim that the parents of a child are to blame. Nevertheless, my experience from reading The Help was not a purely negative one. There were many moments in the story that if I just ignored the constant contradictions in the text I found very moving or entertaining. The dedication Skeeter showed to finding her old maid Constantine, who raised her, and the evident love she had for her, was incredibly touching. Tying her into the story and revealing that it was because of her that Skeeter is not racist was possibly one of the only smart literary moves the author made –that is if you look past the fact that everyone else in her social circle and their parents were raised in the exact same way and not a single one of them turned out like Skeeter. The way that Abileen cared for Mae Moebly was also very touching, and the words â€Å"you is kind, you is smart, you is important† have become synonymous with The Help. These two aspects can be linked together in more than just how touching they both were. (although from what I can gather of Stockett’s writing ‘prowess’ or lack thereof, I cannot decipher whether or not this was purposeful) The way that Abileen cares for Mae Moebly and how Mae sees her more as her mother than her own mother Elizabeth, is a representative for how Skeeter was raised by Constantine instead of her own mother, and xplains why Skeeter was so desperate to find Constantine. Overall, I was incredibly disappointed with this novel as the author butchered an amazing concept that, had it been in an accomplished writers hands could have been an incredible story. The author has a very talented imagination, but perhaps it would be better for her to in future just create the concept and allo w someone who actually has some degree of eloquence to write the actual novel, or alternatively to hire an editor who actually knows how to proofread for contradictions.

Thursday, January 23, 2020

The Transformation of Sydney Carton in A Tale of Two Cities :: Tale Two Cities Essays

The Transformation of Sydney Carton in A Tale of Two Cities         Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   In Charles Dickens' novel A Tale Of Two Cities, Sydney Carton is a man of several distinct characteristics.   Carton is shown originally to be a frustrated alcoholic, but then turns out to be a very noble and genuine man. Sydney Carton is also shown in the novel to be somewhat immature in his actions and thoughts.      Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   Throughout the book, Sydney Carton does not always act or seem like he is the age that he is.   He is depicted in the novel to be middle-age, perhaps in his mid-forties, yet several times he shows some very immature actions and feelings.   One example is his feelings for Lucie Manette.   Even after Lucie is married to Charles Darnay, whom she loves, Sydney refuses to give up his love for her.   For someone in his mid-forties, this is somewhat an immature action. Had he been more mature, he might have forgotten about Lucie when she was married and found someone else.   Another perhaps less important but very noticeable example is his appearance.   He didn't seem to care what people really thought about him or the way he was dressed, and remained very calm and relaxed, maybe even carefree, most of the time he was in court.   This also gives Sydney Carton an immature appearance in the novel.      Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   At the beginning of the story and a large part of the novel, Sydney Carton is shown to be a very arrogant, frustrated man with a drinking problem. Several times in the novel he indulged in his drinking to the point of becoming drunk or close to it.   Many times that he is seen, he is drinking wine or has a flask of liquor in his hand.   This may keep him calm or help him to remain composed in the court, but it becomes more to the point of being a necessity or habit.   Also, his drinking causes him to be loose with his tongue when he is with Charles Darnay after the trial, which makes Charles angry with him.   This behavior was very ill-mannered and could have been prevented to give Sydney Carton a better appearance and attitude.      Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   Later in the novel, towards the end, Sydney seems to change his

Wednesday, January 15, 2020

Hot-Button Issue Paper Essay

Nowadays one of most concerning topic in today’s media is sex and violence. Determining what’s â€Å"too much† for children is not an easy task, because every parent has their personal preferences about such matters. But determining the actual effects of media violence on children gives rise a problem in itself, as it’s quite tricky to actually determine what â€Å"violent media† means to the children (Cutler, 2002). There were many children friendly shows back in the days, shows that taught some useful lessons to the children in a non-violent manner. Shows like Ducktales or Darkwing Duck are examples of such shows that children not only could enjoy, but also learn some valuable lessons from. Even vintage video games like Super Mario was just a fun seeking game that children could enjoy and parents didn’t have to worry about their effects on their children too. But if we look at the TV shows, movies and games in the present, it’s quite obvious that the use of excessive violence has crawled its’ way into almost every form of media. Another problem is the increase of usage of sexual acts in the media. There are open discussions of sex and enactments of sexual activities in almost all the TV shows and movies. In the past, TV shows mostly showed two persons getting into bed and the next scene took us to the next day. There were no enactments of sexual activities in the shows. But today, almost every show on every premium channels show fully nude persons or even the acts of having sex. The media industries have been strongly resisting such arguments that the usage of scenes containing sex, violence, and drug usage in TV, music, radio and movies is directly related to the increasing cases of negative behavior buildups in the society, (Anderson, 2002). Canceling such shows is the only way to get rid of sex from the TV. But doing so creates the possibility that children will grow up without the knowledge of sex. They might grow up and have to face the big bad world without anyone to properly guide them into making the right decisions. So it’s essential for them to learn the correct decisions at an early age, so  that they don’t make any decision that could destroy their life forever. You might be able to control the TV shows on their usage of sex and violence; but what about other for ms of media such as magazines, internet, books, music, and movies? Nowadays media has an array of methods to attract peoples’ eyes. They can target audiences of any age or group by tempting their senses. Teenagers are often attracted by violent acts, and by using this they can easily influence them. It doesn’t matter if it’s TV or the movies or the internet, violence is everywhere and trying to shut down all of them is simply not possible. Imagine yourself in a scenario where you’re changing through channels on the TV and you can’t find any shows with violence, shooting or sexual scenes. What would you do in that case, keep on watching the TV or turn it off and do something else? Doing the later would cause the viewer ratings of TV networks to go down and thus giving them the impression that they need to show more violence and sexual acts to attract the audiences. There’s no point in denying that sex and violence attract people or â€Å"sell†, so to say. Although almost 60-70 persons out of 100 say that there’s excess use of sex and violence on TV, they have to firstly watch such usage to find that out. Imagine a show that you watch on a regular basis, and you’d realize by yourself that sex and violence sell. Not a single person can be found who hasn’t seen or doesn’t know of a show that uses violence or sexual references, at the very least. Just as a children mig ht want to smoke if they see their parents smoke, they also might have the inclination towards committing crime if they see their favorite TV character commit a crime. Recently several methods have been developed to control or even block specific shows at specific times. A parental control, that gives the parents the power to block certain TV shows, is offered by every cable provider. But still, it’s the parent that must decide whether to block or not. The V-chip is a recent controlling method developed to restrict sex and violence scenes from being showed on the TV and it’s done by incorporating a small chip in the TV. But to some extent, this seems to be violating the first amendment. What someone wants to watch on their TV is their personal choice; why should they be restrained from watching something they want? It’s understandable that children shouldn’t be exposed to such shows that negatively impact their sense of judgment, but what about someone who’s an adult and willing to watch those shows? Whether you allow play in  shows containing sex and violence in your household premises is a decision that you should make, not the government. If there are children in the house, the parents should be responsible for keeping them away from shows that contain sex or violence. Another point is that most of these shows are aired at nighttime, and it’s safe to assume that children should be in the bed by that time. If kids are staying up at nights to see such shows, it’s not the networks’ fault that they are airing these shows, but it’s the parents’ fault that they can’t fulfill their responsibilities as a parent. On average, a child in the USA watches almost 28 hours of TV shows per week. Also, by the age of eleven, before finishing elementary school, a child views about 8000 murders on these TV shows. And the most terrifying fact is that in almost 75% of the cases shown in the TV, the criminal is shown to get away without being caught and feeling no remorse for their violent acts. This creates a false impression on children about violence. They often get an impractical idea about the acts of violence. Some of them feel no affect of violence whatsoever and even think that it’s cool, while other few become scared of everything around them. In 2009, the National Organization of Women reported that the most violent shows that were being aired were- Alias of ABC, Law & Order: SVU of NBC and WWE: Smackdown of CW (NOW, 2009). When children watch TV shows that show someone committing a crime and getting away with it, it creates an impression on their mind that even they can get away without suffering the consequences of their actions. It’s also possible to link violent movies to several cases of assault, robbery and other anti social behaviors. People, particularly teenagers, often confuse things they watch on TV or movies with reality. Eric Harris and Dylan Klebold, the Columbine shooters, are a perfect example of such delusional cases. They tried to du plicate scenes from the movies The Matrix and Basketball Diaries and even dressed up in trench coats and armed themselves with guns to depict those scenes. But just watching violence on TV and movies is not the entire story, there are several other factors that shape the thoughts of persons. Information obtained from several social research studies prove that what a child learns from what he/she watches is greatly affected by his/her surrounding environment (Anderson, 2002). For instance, if a child grows up seeing domestic violence in his/her household, he/she is more likely to think that these acts of violence is acceptable in the society. He/she would  be more prone to act according to what he/she saw when growing up, thus giving him/her a completely false sense of what’s acceptable and what’s not. To those who are mentally handicapped, these effects are much more severe. Since they often have problems differentiating what’s right and what’s wrong, exposure to these sexual acts and violence change the way they think about the world and often clouds their judgments. Watching people commit crimes in the media might give them the impression that it’s okay to do such acts. In one of her studies, Sue Bailey declared that people would of ten enact scenes they saw in the media, even if those scenes were to contain violence or sexual exploitation (Anderson, 2002). This is in fact the main reason why we see so many copycat criminals nowadays. This reminds us of the Bandura’s theory of modeling (Sparks, 2013). Children often idolize these TV and movie characters and watching their idols beat someone, sell drugs, and committing crimes makes them want to do the same. The act of violence and their rate varies in every society, but what’s alarming is that the USA has a horrifying rate of killings and suicides in the 15 year age group. In 1995, the combined death toll of children among 26 countries was at 2872. Out of these 2872 deaths, 1446 were in the USA alone and compared with the other 25 countries; this rate was almost 5 times higher. A child’s personality also plays an important role in their vulnerability to these violent acts. From an early age, some children might have the tendency to be temperamental. Watching violent acts in the media might increase their tendency to act violently. Furthermore, prolonged exposure to acts of violence increases their chance to act according to what they see in the media. Showing sexual acts and violence in TV can, in many ways, negatively impact the society. But the most argued point is the belief that a persons’ behavior is affected by what they watch. But this seems likely only if someone was to watch only these type of shows at all times. Watching such acts on TV or movies once or twice is not going to affect someone’s personality or turn them into violent sexual offenders. Moreover, the choices someone make is their and theirs’ only to make. No one else can be blamed for their personal faults. To conclude all this discussion, today’s TV can’t be compared with the TV from 30 years ago. Today’s shows cover a more wide range of topics, represent different cultures and languages and they’re targeted for every age group. The increase in sexual scenes and acts  of violence in the media reflects the change our society has undergone in the past years. This change can’t be denied and sooner or later society has to accept that these shows are a part of this change. So rather than demanding to stop this change, it’s practical to demand that these shows should be aired at a certain t ime, thus enabling the viewers to choose what they see and what they allow their children to see. References Anderson, C. A. (2002). Violent Video Games and Hostile Expectations. Retrieved from http://www.psychology.iastate.edu/faculty/caa/abstracts/2000-2004/02BApspb.pdf Bandura, A. (2006). Social Learning Theory. Retrieved from http://www.instructionaldesign.org/theories/social-learning.html Cutler, Maggie: Research on the Effects of Media Violence on Children Is Inconclusive†. Is Media Violence a Problem? James D. Torr, Ed. At Issue Series. Greenhaven Press 2002 National Organization of Women. (2009). Retrieved from http://www.now.org/organization/conference/resolutions/2009.html Sparks, G. G. (2013). Media Effects Research (14th ed.). Retrieved from The University of Phoenix eBook.

Tuesday, January 7, 2020

A Report On Traumatic Brain Injury Essay - 1535 Words

Traumatic Brain Injury (TBI) incorporates concussions and results from a hit to the head, bringing about shaking the cerebrum (Gleadhill, 2014). The trouble with conclusion is that a blackout might be asymptomatic. One investigation of Canadian hockey players found that lone 19% knew that they had endured a blackout (Edwards, 2014). Numerous concussed competitors have typical cerebrum work for a considerable length of time to come. On the off chance that concussions do have side effects they incorporate everything from dazedness, to tiredness, to twofold vision, or despondency, yet losing awareness is not an essential component (Gleadhill, 2014). Optional blows are more risky and long haul impacts may incorporate CTE. Early recognizable proof and treatment is fundamental and instruction of players, guardians, coaches, staff, and leagues are additionally basic. This is profoundly identified with youth health and extremely basic morally. Sports fans may expect that blackout research is progressing to the point that the dangers are known, blackout can be precisely distinguished and treated, and come back to play choices are cleverly made by medical staff. The fact of the matter is altogether different and loaded with morally hard choices for all partners (McNamee, 2015). The absence of clarity of the idea and uncertainly of conclusion implies that educated assent and game instruction of players, guardians, coaches, and others are traded off. The National Collegiate AthleticShow MoreRelatedTraumatic Brain Injury Can Ruin Your Entire Life1617 Words   |  7 PagesTraumatic Brain Injury Can Ruin Your Entire Life Head (Brain) injury is known as a major public health problem that is a frequent cause of death and disability in young people, Among the many challenges that survivors of traumatic brain injury must face, behavior problems rank among the most difficult. 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